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My shelf indulgences


Van Moore

To be writers, we must first be readers, and I am an avid reader. While I don't consume hundreds of books in a year the way I used to, I now create reading challenges for myself on GoodReads to make sure I finish a minimum of ten books a year. 
I also have the Black Icons Book Club where we listen to Black icon memoirs on Audible, and share our thoughts. 
It's not enough for me to only share my thoughts with my book club. I do write reviews here and there, and now it's about time I post my reviews here as well. Dive in to my Shelf Indulgences, and don't hesitate to drop your own thoughts as a comment!


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My Obsession With The Coldest Winter Ever

9/30/2026

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​In 1999, right before I turned sixteen, my mother attended the annual Black Expo held at the Jacob Javitz Center in New York City. My family went every year. I went a few times, but for whatever reason, that year I didn’t. I was curled up in the living room chair when she returned home and handed me the book. She said, “Sister Souljah has a new book out. I got it for you.”
I said, “Thanks, Mom.”
We were avid readers in my house, particularly of Black literature. There were a few Danielle Steel books on my mother’s shelf, but she and my aunts read all of Terry McMillan’s books, Kimberla Lawson Roby, Toni Morrison, Beverly Jenkins, and Donald Goines. I was no stranger to the range of Black literature available. So this type of exchange was the norm for us.
Immediately, from the first page, I was hooked on The Coldest Winter Ever. Who is this Winter Santiaga talking about, “I came busting out of my momma’s big coochie on January 28, 1977, during one of New York’s worst snowstorms?” I needed to know more. I literally devoured the book in three nights and then called my best friend (a reading partner to this day), like, “Gurl, you’ve got to read this book!”
My life was the furthest thing from Winter’s. I lived in a modest two-story home, owned by my grandmother, who was a full-time detox nurse; my mother was a stay-at-home mom, and my aunt was a beautician with her own salon. I was raised on the belief that to get what you wanted, you needed God, an education, and a solid job. I knew nothing about the inner workings of the ghetto fabulous lifestyles of inner-city drug dealers. I’m from The Bronx; I knew a lot of young drug dealers—but I knew them in passing. All the designers mentioned in the book and the amounts of cash being handled, were things the adults- mainly my aunt had while I was growing up. Winter’s access to these wild and intriguing adult endeavors blew my mind. I ended up reading the book several times. Now, in my forties, I can’t say how many times I’ve read the book.
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I used to fantasize about the book being a film. I desperately wanted to see it come to life. I think I was in my twenties when I heard the rumor that Jada Pinkett-Smith had bought the rights to the story and was going to produce the film. Sister Souljah cleared that up recently, saying that the rights were never sold and she’s not interested in a film production, though it was once a conversation, and that’s where the rumor stemmed from.
It took twenty-two years for Sister Souljah to release the sequel, Life After Death, which many fans turned their noses up at and walked away from. Bad reviews did not deter me. I read it from cover to cover. I can’t gobble books the way I used to, so it took me about two weeks to finish it. Some parts definitely terrified me because I am not a fan of literature and movies that discuss the devil. I persevered, though, and was glad to make it to the end. My lifelong bestie and reading partner persevered as well, and we agreed that we both enjoyed it. Three years later, Love After Midnight was released and received similar reviews. I remained undeterred and endured to the end. Admittedly, the pacing confused me, and Winter still annoyed me. By my thirties, I was no longer fascinated by her stupidity, but rather annoyed by it, yet I remained enamored with the cautionary storyline. Readers want Winter to grow up, and they seem to be mad at Sister Souljah that she’s not. I’ve accepted Winter for who she is because I know people like her in reality. That’s what makes Winter’s character so real to me. She’s no different from a few homegirls and homeboys, I might as well say, that I’ve known for many years and mentally outgrown. Winter’s story is more common than we realize.
Anyway, lately, more and more people are using AI to create TCWE movie trailers. One young lady has been making chapter clips, and she is crushing it. I stumbled across her page on Facebook, where she apparently has another ongoing AI series that people are hooked on. I literally “tune in” twice a week to watch these mini episodes.
Now, I am not a fan of visuals generated by AI. I’ve messed around with it myself, but social media is now oversaturated with all the same flyers, and it just seems like people have given up on visual creativity altogether. I refuse. I will spend hours on Canva and stock photo sites to create visuals before I throw a few words into a prompt to get the same flyer as half the people in my newsfeed for my own vastly different events and business endeavors.
However, I can see the work that goes into this young lady’s TCWE video clips, and I am awestruck. I commented on one of her posts that this is how generative AI should be used. Millennial women who enjoyed TCWE the way I did can truly appreciate the way her attention to detail taps into our nostalgia and brings us back to the story that turned many of us on to Urban Lit. I’m obsessed.
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​A fourth book is on the way: A Beautiful Evil, and yes, I am going to order the hardcover and read it. I need a hardcover copy of TCWE (hints for those who know me). To this day, I still have the original paperback copy that my mother bought me. The front of the cover has fallen off; the pages are yellow—yeah, it doesn’t stand up to the others on my shelf. I need that hardcover for book nook aesthetics. I also hope this young lady on Facebook (and YouTube) continues making TCWE clips for the entire book, and I hope she’s inspired and encouraged to do the whole franchise. Others have tried to replicate the book visually, and one was so bad: Winter looked twelve for the entire clip and wore a jail suit in every scene; it was nuts. However, the young lady I’m raving about really takes her time with a score/soundtrack, quoted dialogue, and as much visual detail as she can with the AI tools she’s working with. I don’t know how she would feel about me mentioning her in my blog, so I haven’t said her name. But if she catches wind of this, I would eventually come back, make edits, and add her name/production company.
In the meantime, I’ll be waiting for Thursday night’s episode. Child services came and took the kids lol. I’m looking forward to Winter and Lana’s visit to the prison—I think that’s what’s next. I’m tempted to pull out my old copy to follow along, but I’m already reading three books. I’ll just enjoy my episodes and wait on A Beautiful Evil.
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  • Home
  • Origins & Superpowers
  • CONTACT ME
  • The Moore Bookstore
  • Vanessa Moore Consulting: Moore 4 U
  • My Shelf Indulgences
  • MERCH
    • I Want to Be Loved
  • Community
    • Black Icons Book Club
  • Random Thoughts of a Black Love Connoisseur
  • WIPs
    • All the Wrong Reasons
  • Photo Gallery